Photo by Abby Gordon "Lyme"

Choose 3 of the following prompts.  Create a series of 10 images for each prompt.  Due June 5th

#1: Up Close
 Get close and personal with your subject. It is an exercise in viewing a common object in a new way and examining its finer details.
  • Choose an object that you see or interact with every day.
  • Focus on a small part of it, get as close as your camera will allow you to focus, and shoot away.
  • Try to capture different angles and unusual lighting to add to the mystery of this tiny world.
#3: Shadows
Shadows are everywhere and they are vital to photography because this is the art of capturing light. With light comes shadows and when you begin to look at shadows as a photographer, your world will open up.
  • Take a look around for shadows and record them with your camera.
  • You could show the shadow as the total focus of the image. Perhaps the shadow is incidental to the subject.
  • Is the shadow natural or created by flash?
Shadows are integral to creating depth in a two-dimensional medium such as photography. Take some time to seriously explore the "dark side" of the light.
Picture
Massi Miliano
#5: Leading Lines
Leading lines' is a popular and fun subject. The goal of this assignment is to learn how to direct the viewer to your subject using lines.
  • Choose a subject then look around for lines in the scene that you can use to 'lead' the viewer to the subject. 
  • Find an interesting line then determine what the subject of your photograph is.
  • Remember that lines can be man-made or natural. For instance, the yellow line down the middle of the road or a tree branch. Even a person's arm can be a leading line of their face.
Use this assignment as an excuse to take an afternoon photo excursion. Walk downtown or in the woods and look around you for interesting lines that lead the eye to a subject. There is an amazing assortment of lines out there in the world and once you begin to see them, you won't be able to stop. 
#7: Texture
The goal in this one is to study textures and forget about the object itself: the texture becomes the subject. You will also begin to realize how light affects the appearance of texture.
  • Find a few objects that have very detailed textures like trees or rocks, even knit sweaters or woven rugs.
  • Photograph them as close as your lens will allow.
  • Use different angles and capture the same texture as the light changes. Notice how the different lighting directions and camera angles can change how much texture appears.
Textures are all around us and many of the best photographs in the world play up the textural element. This assignment should teach you how to recognize and accentuate those elements in your photos.
#9 Street Photography
A series based on the random happenings on the street can include:
Capturing moments, interactions, emotions, etc...while on the street.  
#2: Motion
Photography is a static medium which means that it doesn't move. Conveying a sense of motion is often crucial to capturing a scene or emotion and it is an essential skill for photographers to practice.
The goal of this exercise is to understand how shutter speeds can be used to convey motion.
  • Choose a subject or series of subjects that will allow you to convey motion in your images.
  • It can be slow motions, like that of a turtle, or fast motion, like a speeding train.
  • Blur it, stop it, or simply suggest that there is motion in the photograph.
Challenge yourself to capture the same motion in different ways. For instance, you might go to a race track and stop the movement of the cars completely in one image, then leave the shutter open and allow them to blur out of the frame in the next. 
#4: Water
Water is everywhere in photography and it presents many challenges. There are reflections and movements to work with and in this exercise, you will take a deeper look at water.
  • Find water anywhere: lakes, streams, puddles, even the glass on your kitchen table.
  • Pay attention to reflections and use them to your advantage in the photographs. Use this opportunity to get familiar with a polarizing filter (a very useful tool in your camera kit) so you can accentuate or eliminate reflections.
  • Play with the motion of a stream or the crashing waves. Notice the difference between stopping the flow of water and allowing it to blur to create a real sense of movement.
Be sure to make water the subject and not an accent to the image. Water alone is beautiful and mysterious and your challenge is to explore all of its potential as a subject.
 #6: Perspective
How do you normally stand when you shoot? If your answer is straight up like a 5-foot-something human being then this assignment is for you. The perspective assignment challenges you to view the world from an entirely new perspective, which in turn gives the viewer a new look at the ordinary.
  • Take another afternoon or evening for a photo excursion wherever you like.
  • This time, every time you find something to photograph, stop!
  • Ask yourself: How would a squirrel see that tree? How would a robin view that birdbath? How would a snake view that log?
  • Take your photographs from very high or very low angles. Get on your belly or stand on a chair, whatever you have to (safely) do to get the 'right' angle on your subject.
If you pay attention to professional photographs, many of the images that have the WOW factor are photographed from extreme angles. People enjoy these photos because they've never seen an object from that viewpoint. It is new and unique, and you can train yourself to shoot with this in mind.
#8: Color Harmony
Color is important to photography because the world is full of color. This exercise requires a bit of study in color theory, which you will then put into practice in your photographs.
Do you remember art class in elementary school? You may have learned that yellow and blue make green, but color theory goes beyond that. There are cool and warm colors, complementary and contrasting colors, neutral colors, and bold colors.
It can get quite complicated, and photographers should have a basic understanding of color so you can use that when composing photographs. You don't have to study color like a painter would but can use tricks used by interior designers to influence your color decisions.
  • Once you have an idea of color theory, take another photo excursion and put what you've learned into practice.
  • Capture photographs with the primary or tertiary colors.
  • Look for complementary colors then contrasting colors to photograph.
  • Try finding a scene to photograph that is filled with neutral colors, then one that uses a bold color to 'pop' from the scene.
This is an advanced lesson, but one that any photographer working with color images will find useful. As you practice working with colors, it will become second nature and you will know how to work with color to change the feel of your images.

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